Alla Moran, Thomass Oljemålningar

Bilder

Oljemålningar Från A till Z

Information

19525

A Pastoral Landscape

1889 Oil on canvas Flint Institute of Arts, Flint, MI.

50976

Blue Spring,lower geyser basin,yellowstone

mk217

19527

Chicago World's Fair

1894 Watercolor on paper Brooklyn Museum, New York.

19514

Children of the Mountain

1866 Oil on canvas Anschutz Collection.

19519

Cliffs of the Rio Virgin, South Utah

1873 Watercolor National Design Museum, New York.

19518

Cliffs, Green River, Wyoming

1872 Watercolor on canvas Museum of Fine Arts, Boston.

19522

Gathering Storm near Maravatio, Mexico

1883 Oil on panel Private collection.

50972

Glory of the Canyon

mk217

19520

Green River Cliffs, Wyoming.

1881 Oil on canvas Private collection.

19528

June, East Hampton

1895 Oil on canvas Private collection.

50974

Lower Falls of adam cheek

mk217

50973

Lower falls of the yellowstone

mk217

19521

Pass at Glencoe, Scotland

1882 Gilcrease Museum, Tulsa, OK.

19512

Slaves Escaping Through the Swamp

1862 Oil on canvas Philbrook Museum of Art, Tulsa, OK.

49325

Slaves Escaping Through the Swamp

mk195 1863 Oil on canvas 32x43

30889

Sunset Venice

mk68 Oil on canvas Newark Newark Museum 1902 Italy

19513

The Autumnal Woods

1865 Oil on canvas.

19526

The Grand Canal

1889 Oil on canvas.

19517

The Grand Canyon of the Yellowstone

1872 Oil on canvas.

31978

The Grand Canyon of the Yellowstone

mk77 1872 Oil on canvas 84x144 1/4in

19516

Tower Falls

1872 Watercolor on canvas Gilcrease Museum, Tulsa, OK.

50975

Untitled lithograph

mk217

19515

Upper Falls, Yellowstone

1871 Watercolor on paper Philbrook Art Center, Tulsa, OK.

19523

Vera Cruz Harbor, Mexico

1884 Oil on canvas.

19524

View of Venice

1888 water color and gouache over graphite Corcoran Gallery of Art, Washington D.C.

Moran, Thomas

American Hudson River School Painter, 1837-1926 American painter and printmaker of English birth. His brothers Edward (1829-1901), John ( 1831-1902) and Peter (1841-1914) were also active as artists. His family emigrated from England and in 1844 settled in Philadelphia where Moran began his career as an illustrator. He was guided by his brother Edward, an associate of the marine painter James Hamilton, whose successful career afforded an example for Moran. Between the ages of 16 and 19 Moran was apprenticed to the Philadelphia wood-engraving firm Scattergood & Telfer; he then began to paint more seriously in watercolour and expanded his work as an illustrator. In the 1860s he produced lithographs of the landscapes around the Great Lakes. While in London in 1862 (the first of many trips to England), he was introduced to the work of J. M. W. Turner, which remained a vital influence on him throughout his career. Moran owned a set of the Liber studiorum and was particularly impressed by Turner's colour and sublime conception of landscape. With his wife, Mary Nimmo Moran (1842-99), an etcher and landscape painter, he participated in the Etching Revival, scraping fresh and romantic landscapes and reproductive etchings

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